Formal analysis of artwork at getty

This Hellenistic work of the late third century BC is believed to have been a source for the reclining figure on the far left of the painting.

Formal analysis of artwork at getty

It forces the mind to think upon its position and gives something to build upon in both imagination and space.

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Some abstract points in a group can provoke human imagination to link it with familiar shapes or forms. Line[ edit ] Lines and curves are marks that span a distance between two points or the path of a moving point.

As an element of visual art, line is the use of various marks, outlines, and implied lines during artwork and design. A line has a width, direction, and length. Lines are sometimes called "strokes", especially when referring to lines in digital artwork.

Similarly stars in a constellation connected via imaginary lines are a natural example of using lines in a composition Shape[ edit ] Shape refers to a 2-dimensional, enclosed area.

Shapes could be geometric, such as squares, circles, triangles etc.

Formal analysis of artwork at getty

Form[ edit ] The form of a work is its shape, including its volume or perceived volume. A three-dimensional artwork has depth as well as width and height.

Three-dimensional form is the basis of sculpture. Color[ edit ] Color is the element of art that is produced when light, striking an object, is reflected back to the eye. The first is huewhich simply means the name we give to a color red, yellow, blue, green, etc.

The second property is intensity, which refers to the vividness of the color. A color's intensity is sometimes referred to as its " colorfulness ", its "saturation", its "purity" or its "strength".

The third and final property of color is its valuemeaning how light or dark it is. In painting, shades are created by adding black to a color, while tints are created by adding white to a color. There are two kinds of space: Texture[ edit ] Texture, another element of art, is used to describe how something feels or looks.

There are many forms of texture; the two main forms are actual and visual. Visual texture is strictly two-dimensional and is perceived by the eye that makes it seem like the texture. Actual texture tactile texture is one not only visible, but can be felt.

Formal analysis of artwork at getty

It rises above the surface transitioning it from two-dimensional to three-dimensional. Value[ edit ] Value is the degree of lightness and darkness in a color.

The difference in values is called contrast. Value can relate to shades, where a color gets darker by adding black to it, or tints, where a color gets lighter by adding white to it. White is considered the lightest value whereas black is the darkest.

The middle value between these extremes is also known as a half-tone, all of which can be found on a value scale.Langa's Art Analysis - In Chapter 3 of her book Langa looks at s prints of labor-related images as part of her larger project of offering a more nuanced reading of s prints as active social documents on which the multiple and contradictory forces shaping America at the time found a visual outlet.

VOCEDplus is produced by the National Centre for Vocational Education Research, which together with TAFE SA, is a UNESCO regional Centre of Excellence in technical and vocational education and training (TVET). VOCEDplus receives funding from the Australian Government Department of Education and blog-mmorpg.comlian Government Department of Education.

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Jul 31,  · An Online Tagalog - English Dictionary Learn Tagalog or Filipino Language for free. Kari DePhillips is the owner of The Content Factory and co-founder of's been featured everywhere from Fast Company to Forbes to NBC News for her management style and digital marketing expertise, and Thrive calls her a "limit‑breaking female founder.".

The Metropolitan Museum of Art is one of the world's largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.

Synopsis. Allan Kaprow was a pivotal figure in the shifting art world of the s; his "happenings," a form of spontaneous, non-linear action, revolutionized the practice of performance Kaprow began as a painter, by the mid s his interest turned to the theoretical, based primarily on the shifting concepts of space as subjectively experienced by the viewer.

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